2 項進行中

115-1 選課時程

進行中

  • 初選第一階段 6/15 – 6/18
  • 初選第二階段 6/22 – 6/25
  • 校際選修 進行中 8/24 – 9/18
  • 初選第三階段 8/31 – 9/3
  • 開學後加退選 進行中 9/7 – 9/21
  • 逾期加退選 9/21 – 9/24
選課資源

加入行事曆

選擇訂閱 Google Calendar,或下載通用的 ICS 檔案。

使用 Google Calendar 時,Google 會收到這份課表的公開連結。

音樂學理論與方法

Theory and Methods in Musicology

學期
107-1
學分
0 學分
當期課號
5791
永久課號
IMU5387
開課單位
音樂研究所
授課教師
金立群
校區
光復
類別
選修
上課時間表
週三
8
16:30–17:20
音樂學理論與方法
HC513(光復)
3 節連堂
9
17:30–18:20
A
18:30–19:20

* 根據陽明交大上課時間表所列

概述

A pre-seminar to the study of music from a cultural and comparative perspective.

先修科目

【請注意每次上課日期與時間】 Open for all musicology majors.

備註

無備註

教學方式

Course homepage at E3 (http://dcpc.nctu.edu.tw). Every student is to take charge of one assigned reading and to complement it with a self-selected case study. By the Saturday evening before one's presentation, a 2,000-word draft paper must be uploaded to E3. All other participants must then submit a 300-word response by the evening before the day. Materials and detail instruction will be provided in E3.

評分方式

Grading: Participation (40%): attendance and contribution to discussion (including response writings). Presentations (30%): orally, one ca. 50 minutes, one ca. 20 minutes (final). Paper (30%): ca. 3000-word critical/review essay (revised from the 2000-word draft).

課程大綱
  • Introduction

    Music, Sound, Noise, People

  • Disciplines

    - Music Aesthetics - Sociology of Music - Music Historiography

  • Approaches

    - World Musics - Popular Music - Concert Music - Film Music

  • Guest Talk

    TBA

  • Term Project

    Individual Presentation

週次計畫
週次主題
第 1 週

Introduction: Sound, Noise, Music Adler, Adler. "Umfang, Methode und Ziel der Musikwissenschaft." Vierteljahrsschrift f?r Musikwissenschaft 1 (1885): 5-20. Mugglestone, Erica. "Guido Adler's 'The Scope, Method, and Aim of Musicology' (1885): An English Translation with an Historico-Analytical Commentary." Yearbook for Traditional Music 13 (1981): 1-21. Attali, Jacques. Noise: The Political Economy of Music. Translated by Brian Massumi. Minneapolis: University of Minnesota Press, 1985.

9/12 HYIJ
第 2 週

Bowie, Music Aesthetics and Critical Theory

9/19 HYIJ
第 3 週

Ellis, The Sociology of Music

9/26 HYIJ
第 4 週

Samson, Music History

10/03 HYIJ
第 5 週

(National Day)

10/10
第 6 週

Stobart, World Musics

10/17 HYIJ
第 7 週

Levi, Concert Music

10/23 HYIJ
第 8 週

Guest Talk

10/30 FGH
第 9 週

Reading Week

11/07
第 10 週

Cook, The Economics and Business of Music

11/13 HYIJ
第 11 週

Brown, Music in Film and Television

11/21 HYIJ
第 12 週

Rink, The Psychology of Music

11/28 HYIJ
第 13 週

Leach, Popular Music

12/05 HYIJ
第 14 週

Reading Week

12/12
第 15 週

Frederick Lau (CUHK), “Cover Songs and Creativity in Hong Kong’s Popular Music“

12/19 IJK (F106A)
第 16 週

Final Presentation

12/26 HYIJ
第 17 週

Paper due

2019/1/02
第 18 週

Review

1/09 HYIJ
教科書

Clayton, Martin, Trevor Herbert and Richard Middleton, eds. <i>The Cultural Study of Music: A Critical Introduction.</i> 2nd ed. New York: Routledge, 2012. Cook, Nicholas, and Mark Everist, eds. <i>Rethinking Music.</i> Oxford: Oxford University Press, 1999. Harper-Scott, J. P. E., and Jim Samson, eds. <i>An Introduction to Music Studies.</i> Cambridge: Cambridge University Press, 2009. <b>[IMS]</<>

Office Hours
地點
HC505
時間
Wed 15-16 (Early appointment please)
聯絡方式
kam@nctu.edu.tw / ext. 58308