音樂、科技與社會:1876年以前
Music, Technology, and Society up to 1876
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 音樂、科技與社會:1876年以前 HC501（光復） 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This course offers an overview to Western art music from late Baroque to 1876, the year Wagner’s Ring was premiered. We will incorporate the music history of this period in the larger context of social and cultural developments, including the developments of aesthetics and technology. The goal of this course is twofold. Functioning as a remedial course, it offers graduate music students without sufficient knowledge in the history of Western art music a factual and conceptual grounding. Equally importantly, it approaches music as a cultural phenomenon, partaking and “bouncing back,” as an active force, to what was happening in social reforms, political upheavals, and innovations in technology and industry, including the inventions of music instruments, music devices, as well as well stagecraft, lighting, sound, and space.
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無備註
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Attendance & participation: 30% Assignments: 20% Quizzes: 50%
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| 週次 | 主題 |
|---|---|
| 第 1 週 | Overview: Western art music, society, and technology before 1876; Baroque 9/15 |
| 第 2 週 | 17th-century Baroque 9/22 |
| 第 3 週 | 17th-century Baroque (cont.) 9/29 |
| 第 4 週 | Counterpoint, concerto, and opera seria 10/6 |
| 第 5 週 | The evolving definition of virtuosity and vocal music (Handel, A. Scarlatti, Hesse, J. S. Bach) 10/13 |
| 第 6 週 | The evolving definition of virtuosity and vocal music (Handel, A. Scarlatti, Hesse, J. S. Bach) 10/20 |
| 第 7 週 | The Classical era: revolutions, reforms, and new gadgets 10/27 |
| 第 8 週 | Instrumental music and new structural thinking: binary, ternary, and sonata forms (Haydn) 11/3 |
| 第 9 週 | Vienna in mid-late 18th century: the Galant style, Mannheim rocket, and Sturm und Drang (Haydn, Mozart) 11/10 |
| 第 10 週 | Beethoven, the changing patronage system, and the new music Languages 11/17 |
| 第 11 週 | Beethoven, Rossini, and the Romantic generation & Quiz #1 11/24 |
| 第 12 週 | The expanded orchestra, varying timbres, and visual culture (Beethoven, Berlioz, Weber) 12/1 |
| 第 13 週 | Music in private spheres: Lieder, salon culture, and character pieces (Schubert, Chopin, Schumann) 12/8 |
| 第 14 週 | Music and the rhetoric of imitation: program music and absolute Music (Mendelssohn, Schumann; Berlioz, Liszt) 12/15 |
| 第 15 週 | The cult and language of virtuosity (Paulin Viardot, Pasta, Liszt, Paganini) 12/22 |
| 第 16 週 | Nationalism, Imperialism, and Exoticism: Western music and its Other (Verdi); Wagner, music drama, and the Bayreuth enterprise 12/29 |
| 第 17 週 | Conclusion & Quiz #2 1/5 |
| 第 18 週 | TBA 1/12 |
Burkholder, Peter, Donald Grout, and Claude Palisca, A History of Western Music (Norton and Norton, 2019)
- 地點
- HC511 or online (Google Meet)
- 時間
- Wednesday, 3:30-5 pm or by appointment
- 聯絡方式
- blblume@nctu.edu.tw; NYCU general number, ext. 58316