音樂、科技與社會:1876年以前
Music, Technology, and Society up to 1876
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 音樂、科技與社會:1876年以前 HC501（光復） 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This course offers an overview to Western art music from late Baroque to 1876, the year Wagner’s Ring was premiered. We will incorporate the music history of this period in the larger context of social and cultural developments, including the developments of aesthetics and technology. The goal of this course is twofold. Functioning as a remedial course, it offers graduate music students without sufficient knowledge in the history of Western art music a factual and conceptual grounding. Equally importantly, it approaches music as a cultural phenomenon, partaking and “bouncing back,” as an active force, to what was happening in social reforms, political upheavals, and innovations in technology and industry, including the inventions of music instruments, music devices, as well as well stagecraft, lighting, sound, and space. Students must bring a copy of Burkholder, Grout, and Palisca’s A History of Western Music and the accompanying anthology of music scores to every class session; an older edition or a library copy is fine. 2-3 quizzes focusing on repertoire building and score-reading will take place in mid- and end of the term.
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無備註
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Attendance & participation: 30% Assignment(s): 20% Quiz(zes): 50%
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| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction & Baroque 2024-09-05(四) 時數：[2024-09-05]李奉書(3.00) |
| 第 2 週 | Reading: A History of Western Music (AHWM), chs. 13, 15 Ch. 13: skim Ch. 15: last two sections (sacred music of Catholic Church & Lutheran Church, Instrumental music) 2024-09-12(四) 時數：[2024-09-12]李奉書(3.00) |
| 第 3 週 | Cont. from W2 2024-09-19(四) 時數：[2024-09-19]李奉書(3.00) |
| 第 4 週 | Reading: AHWM, chs. 14, 16 Ch. 14 (“The Invention of Opera”) Ch. 16 (“France, England, Spain, and the New World in the Seventeenth Century”) 2024-09-26(四) 時數：[2024-09-26]李奉書(3.00) |
| 第 5 週 | Reading: AHWM, chs. 16, 17 Ch. 16 (“France” & “England”); skim “National Styles and Traditions” Ch. 17 (“Forms at a Glance: Da Capo Aria”) 2024-10-03(四) 時數：[2024-10-03]李奉書(3.00) |
| 第 6 週 | Reading: AHWM, ch. 17: "Italy," "Forms at a Glance: Da capo aria," "German and Austria." 2024-10-10(四) 時數：[2024-10-10]李奉書(3.00) |
| 第 7 週 | Reading: 2024-10-17(四) 時數：[2024-10-17]李奉書(3.00) |
| 第 8 週 | Reading: AHWM, chs. 19 Ch. 19: “Contexts for Music,” “Johann Sebastian Bach,” “George Frideric Handel” Ch. 20: “Europe in the Enlightenment”; skim “Musical Taste and Style” 2024-10-24(四) 時數：[2024-10-24]李奉書(3.00) |
| 第 9 週 | Quiz #1 2024-10-31(四) 時數：[2024-10-31]李奉書(3.00) |
| 第 10 週 | Reading: AHWM, chs. 21, 22 Ch. 21: “Opera Seria,” “Italian Comic Opera” Ch. 22: “Genres and forms,” “Forms at a Glance: Binary Form and Its Relatives”; skim “Instruments and Ensembles,” “Keyboard Music,” and “Orchestral Music” 2024-11-07(四) 時數：[2024-11-07]李奉書(3.00) |
| 第 11 週 | Reading: AHWM, chs. 22 (review) & 23 (entire chapter) 2024-11-14(四) 時數：[2024-11-14]李奉書(3.00) |
| 第 12 週 | Reading: AHWM, ch. 24 Ch. 24: “Ludwig van Beethoven,” “Beethoven’s Centrality”; skim the rest of the chapter 2024-11-21(四) 時數：[2024-11-21]李奉書(3.00) |
| 第 13 週 | Reading: AHWM, ch. 25 Ch. 25: “Innovations: Musical Instruments in the Industrial Revolution,” “Romanticism” 2024-11-28(四) 時數：[2024-11-28]李奉書(3.00) |
| 第 14 週 | Reading: AHWM, ch. 25-26 Ch. 25: “Romanticism,” “Song,” “Music for Piano” Chs. 26 (the entire chapter) 2024-12-05(四) 時數：[2024-12-05]李奉書(3.00) |
| 第 15 週 | Quiz #2 & Reading: AHWM, ch. 27 (“France,” “Germany”) 2024-12-12(四) 時數：[2024-12-12]李奉書(3.00) |
| 第 16 週 | Reading: AHWM, chs. 27-8 ch. 27 (“Germany”) ch. 28 (“Richard Wager,” “Giuseppe Verdi”) 2024-12-19(四) 時數：[2024-12-19]李奉書(3.00) |
Burkholder, Grout, and Palisca, A History of Western Music and the accompanying anthology of music scores (vols. 1-2)
- 地點
- HC511
- 時間
- Wednesday, 3:30-5 pm or by appointment
- 聯絡方式
- blblume@nycu.edu.tw ext. 58316