音樂學實務二

Introduction & Review Benedict Anderson，《想像的共同體：民族主義的起源與散布》，吳叡人譯，二版（時報文化出版，2010），第一至第三章。

Benedict Anderson，《想像的共同體：民族主義的起源與散布》，吳叡人譯，二版（時報文化出版，2010），第一至第三章。

Eduard Hanslick，《論音樂美：音樂美學的修改芻議》，陳慧姍譯（世界文物出版社，1997），第一章與第三章。

Eduard Hanslick，《論音樂美：音樂美學的修改芻議》，陳慧姍譯（世界文物出版社，1997），第一章與第三章。

John Daverio, Nineteenth-Century Music and the German Romantic Ideology (Schirmer Books, 1993), chapter 2: Schumann's Opus 17 Fantasie and the Arabeske.

John Daverio, Nineteenth-Century Music and the German Romantic Ideology (Schirmer Books, 1993), chapter 2: Schumann's Opus 17 Fantasie and the Arabeske.

John Daverio, Nineteenth-Century Music and the German Romantic Ideology (Schirmer Books, 1993), chapter 2: Schumann's Opus 17 Fantasie and the Arabeske.

期中報告

Jeffrey Kallberg, "The Rhetoric of Genre: Chopin's Nocturne in G Minor," 19th-Century Music 11, no. 3 (Spring, 1988): 238–61.

Jeffrey Kallberg, "The Rhetoric of Genre: Chopin's Nocturne in G Minor," 19th-Century Music 11, no. 3 (Spring, 1988): 238–61.

音樂會曲介

Roman Ingarden, The Work of Music and the Problem of Its Identity, trans. Adam Czerniawski, ed. Jean G. Harrel (University of California Press, 1986) chapter 8: The Problem of the Identity of a Musical Work in Historical Time.

Roman Ingarden, The Work of Music and the Problem of Its Identity, trans. Adam Czerniawski, ed. Jean G. Harrel (University of California Press, 1986) chapter 8: The Problem of the Identity of a Musical Work in Historical Time.

Lawrence Kramer, Interpreting Music (University of California Press, 2011), chapter 10: Resemblance.

Lawrence Kramer, Interpreting Music (University of California Press, 2011), chapter 10: Resemblance.

期末報告