創作主修：電腦音樂
Advanced Instruction in Computer Music (Major)
| 節 | 週五 |
|---|---|
Y 06:00–06:50 | 創作主修：電腦音樂 HC512（光復） |
* 根據陽明交大上課時間表所列
This course primarily focuses on learning Max, the most widely used application programing interface (API) for computer music and music technology. Beginning with a focus on the basics of programming in Max and DSP students will begin to build a foundation to use Max for composition and real-time electronics with and without acoustic instruments. This will help students develop skills for exploring human-computer interaction (HCI). Depending on the student’s interests and skills other subjects such as computer-assisted composition, AI-assisted programing, new instruments for musical expression, and installation sound art. By the semester the student will have created at least two computer music to presented at the end of the semester Tunes of Bamboo concert.
Basic skills in composition and computer music programming
其他：展演排練
Attend multiple concerts featuring relevant computer music, listen to suggested works, and write listening reports/reflections.
In addition to weekly meetings where students present computer programming and in-progress compositions the student will complete multiple works for the end of the semester Tunes of Bamboo concert.
電聲作品創作
LIVE 互動音樂雛形創作
- 講授：
- 4
- 示範：
- 4
- 實作：
- 6
- 其他：
- 2
備註：其他：展演排練
| 週次 | 主題 |
|---|---|
| 第 1 週 | Semester Projects, Homework Grading Policy, Attendance Policy – Max introduction 時數：[2026-09-11]待聘(2.00) |
| 第 2 週 | Basic Electronic Music Techniques – “sfplay~” Loop,Reversal,Speed Change, Cutting and Splicing 時數：[2026-09-18]待聘(2.00) |
| 第 3 週 | Subtractive Synthesis：Filtering(LP,HP,BP,BR) Spatial Effects: Reverb, Panning, Doppler 時數：[2026-09-25]待聘(2.00) |
| 第 4 週 | Distortion Synthesis: Frequency Shifting, Ring Modulation, Frequency Modulation, Overdrive, etc 時數：[2026-10-02]待聘(2.00) |
| 第 5 週 | Microsound: Phase vocoders 時數：[2026-10-09]待聘(2.00) |
| 第 6 週 | Microsound: Phase vocoders continued 時數：[2026-10-16]待聘(2.00) |
| 第 7 週 | Granular Synthesis and 時數：[2026-10-23]待聘(2.00) |
| 第 8 週 | Concatenative synthesis and big data approaches (CataRT, MoBu, FluCoMo, etc) 時數：[2026-10-30]待聘(2.00) |
| 第 9 週 | Introduction to MIDI data structures 時數：[2026-11-06]待聘(2.00) |
| 第 10 週 | Max and beginning MIDI applications 時數：[2026-11-13]待聘(2.00) |
| 第 11 週 | Max and basic additive synthesis techniques 時數：[2026-11-20]待聘(2.00) |
| 第 12 週 | Polyphonic voice allocation, synthesis and DSP strategies “poly~” 時數：[2026-11-27]待聘(2.00) |
| 第 13 週 | Global performance patch design in Max 時數：[2026-12-04]待聘(2.00) |
| 第 14 週 | Final edits and revisions of compositions/rehearsals 時數：[2026-12-11]待聘(2.00) |
| 第 15 週 | Final edits and revisions of compositions/rehearsals 時數：[2026-12-18]待聘(2.00) |
| 第 16 週 | Final Exam – Demonstration of fixed media work and mixed acoustic + live electronics work 時數：[2026-12-25]待聘(2.00) |
Useful texts for foundations and further research: Bauer, Amy, Liam Cagney, and William Mason, editors. The Oxford Handbook of Spectral Music. London, Oxford University Press, 2025 Cage, John. Silence; lectures and writings. Middletown, Conn.: Wesleyan University Press (1961) Cipriani, Alessandro and Mauricio Giri. Electronic Music and Sound Design: Theory and Practice with Max 8 – Volumes 1 and 2. Edizioni Musicali. (2020) Collins, Nick, Scott Wilson, and Marget Schedel: Computer Music. Cambridge University Press. (2013) Dean, Roger T., editor. The Oxford Handbook of Computer Music. Oxford University Press (2011) Dodge, Charles; Jerse, T. A. Computer Music: Synthesis, Composition and Performance. Oxford: Schimer books. (1985) Holmes, Thomas. Electronic and Experimental Music: Technology, Music, and Culture. Routledge, Fifth Edition. (2016) Lucier, Alvin. Reflections. Koln, Edition MusikTexte (2022) Lucier, Alvin. Music 109 Notes on Experimental Music. Wesleyan University Press (2012) Manning, Peter. Electronic and Computer Music. Oxford University Press (2013) Oliveros, Pauline. Deep Listening: A Composer’s Sound Practice. New York, iUniverse, 2005. Puckette, Miller: Theory and Techniques of Electronic Music. Online at: http://msp.ucsd.edu/techniques.htm (2007) Radigue, Éliane and Julia Eckhardt. Intermediary Spaces / Espaces intermédiaires. 2nd ed. Brussels, umland editions (2020) Roads, Curtis. Microsound. MIT Press. (2001) Roads, Curtis. Composing Electronic Music. Oxford University Press. (2015) Roads, Curtis. The Computer Music Tutorial. MIT Press, 2nd edition (2023) Rodgers, Tara. Pink Noises: Women on Electronic Music and Sound. Duke University Press (2010) Schafer, R. Murray. The Tuning of the World. New York, NW: Knopf (1977) Tenney, J. META + HODOS and META Meta + Hodos, 2nd ed. Lebanon: Frog Peak Music, 2006 Toop, David. Ocean of Sound, 2nd ed. London, Serpent’s Tail (2018) Winkler, T. H. Composing Interactive Music: Techniques and Ideas Using Max, MA：MIT Press. (1998) Computer Music Journal. MIT Press. (1977-present) International Computer Music Conference Proceedings. University of Michigan. (1975-present)
- 地點
- 人社三館 5F Room 507
- 時間
- Tues: 1:30-3:30pm Wed: 3:30-5:30pm Thurs: 1:30-3:30pm
- 聯絡方式
- Jacob.sudol@gmail.com